Amazon cover image
Image from Amazon.com

Creative economy and culture : challenges, changes and futures for the creative industries / John Hartley, Wen Wen, Henry Siling Li.

By: Contributor(s): Material type: TextPublisher: Los Angeles : Sage, ©2015Description: x, 250 pages : illustrations ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780857028785 (paperback)
Subject(s): LOC classification:
  • HD9999.C9472 HAR
Contents:
Machine generated contents note: pt. I THE CHALLENGE -- Theory -- 1.Economy + Culture + Technology = Newness -- 2.The Big Picture -- Spheres Enveloping Spheres -- 3.The Three Bigs -- 'Everyone" Everything' `Everywhere' -- History -- 4.The Creative Industries' Moment' -- 5.Back to First Principles -- 6.Creative Industries to Creative Economy -- pt. II FORCES AND DYNAMICS OF CHANGE: THE THREE BIGS IN ACTION -- Everyone -- 7.Technology -- Everything -- 8.Economy (1) Makers -- 9.Economy (2) Scenes -- Everywhere -- 10.Geography (1) -- Brics -- 11.Geography (2) -- Mint, etc. -- pt. III FUTURE-FORMING (WITH THREE BUTS) -- Scepticism -- 12.`Ceci Tuera Cela -- 13.The Three Buts -- Optimism -- 14.Future -- forming.
Summary: Creative Industries studies is now well-established in higher education in many countries, especially in universities and colleges where there is a component of creative-practice education as well as cultural and aesthetic theory or business and economic analysis. The Creative Industries field is an interdisciplinary amalgam that draws from the humanities, the creative arts, technology studies, and the social sciences. Cultural, economic, political, artistic, scientific and technological discourses all contribute to the Creative Industries, and all deploy their own specialist language. This book shows how a coherent field is slowly resolving itself into focus through this diverse, distributed, multi-discursive and undirected collective enterprise. It charts a pathway through the terrain, showing how students, researchers, entrepreneurs, practitioners and policymakers can make use of recent advances in the systematic study of the creative process on a population-wide scale.
Item type: Books
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)
Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
Books GSU Library Epoch General Stacks HD9999.C9472 HAR (Browse shelf(Opens below)) 1 Available 50000006893

Includes bibliographical references (pages 233-234) and index.

Machine generated contents note: pt. I THE CHALLENGE -- Theory -- 1.Economy + Culture + Technology = Newness -- 2.The Big Picture -- Spheres Enveloping Spheres -- 3.The Three Bigs -- 'Everyone" Everything' `Everywhere' -- History -- 4.The Creative Industries' Moment' -- 5.Back to First Principles -- 6.Creative Industries to Creative Economy -- pt. II FORCES AND DYNAMICS OF CHANGE: THE THREE BIGS IN ACTION -- Everyone -- 7.Technology -- Everything -- 8.Economy (1) Makers -- 9.Economy (2) Scenes -- Everywhere -- 10.Geography (1) -- Brics -- 11.Geography (2) -- Mint, etc. -- pt. III FUTURE-FORMING (WITH THREE BUTS) -- Scepticism -- 12.`Ceci Tuera Cela -- 13.The Three Buts -- Optimism -- 14.Future -- forming.

Creative Industries studies is now well-established in higher education in many countries, especially in universities and colleges where there is a component of creative-practice education as well as cultural and aesthetic theory or business and economic analysis. The Creative Industries field is an interdisciplinary amalgam that draws from the humanities, the creative arts, technology studies, and the social sciences. Cultural, economic, political, artistic, scientific and technological discourses all contribute to the Creative Industries, and all deploy their own specialist language. This book shows how a coherent field is slowly resolving itself into focus through this diverse, distributed, multi-discursive and undirected collective enterprise. It charts a pathway through the terrain, showing how students, researchers, entrepreneurs, practitioners and policymakers can make use of recent advances in the systematic study of the creative process on a population-wide scale.

There are no comments on this title.

to post a comment.
Share